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Benjamin Alard joue J.S. Bach
Transcription, long considered secondary to composition or even discredited as damaging the “purity” of a work as understood by 19th century musicology, is now seen as a major means for the circulation of ideas and styles in the baroque period. Benjamin Alard reveals all its imaginative richness and shows us a little known side of the most famous 18th-century composer.
Benjamin Alard, clavecin
HORTUS 050
T.T.
52'44
1 CD
DDD
© 2007
15,00 €
Downloadable on
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| Detailed program | ||
| HORTUS 050 | CD DDD ℗ Hortus 2007 | T.T. 52'44 | ||
| Johann Sebastian Bach (1685-1750) | ||
| Sonate en La Mineur BWV 965 | ||
| Transcription : Benjamin Alard | ||
| 1. | Adagio | 2'24 |
| 2. | Fuga | 4'00 |
| 3. | Adagio / Presto | 1'17 |
| 4. | Allemande | 4'29 |
| 5. | Courante | 2'21 |
| 6. | Sarabande | 1'46 |
| 7. | Gigue | 5'24 |
| 8. | Praeludium BWV 966 | 1'46 |
| Transcription : Benjamin Alard | ||
| Concerto en Fa Majeur BWV 978 | ||
| Transcription : Benjamin Alard | ||
| 9. | Allegro | 2'28 |
| 10. | Largo | 2'02 |
| 11. | Allegro | 2'50 |
| Sonate en Ré Mineur BWV 964 | ||
| Transcription : Benjamin Alard | ||
| 12. | Adagio | 3'43 |
| 13. | Thema Allegro | 7'15 |
| 14. | Andante | 5'06 |
| 15. | Allegro | 5'48 |