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d'après Jon Fosse
«… In several ways Sahar’s work plays with spaces that never fit together perfectly, none among them yielding a completely finished entity. His work is characterized by a radicality devoid of any qualms about stretching to the hilt our listening (…)The text is often as if chewed up and thereby removed from immediate comprehension, as if by stretching it, hammering it home, breaking it up into phonemes it were possible to reach a beneath-the-surface, opaque or sacred meaning. »
Martin Kaltenecker
Michael Hofmeister, contre-ténor
Naaman Sluchin, violon
Detailed program | ||
HORTUS 105 | CD DDD ℗ Hortus | T.T. 52'04 | ||
Sahar Nimrod (1978) | ||
1. | Prélude | 4'58 |
2. | Postlude I | 1'16 |
3. | "Non je n'existe plus" | 2'14 |
4. | Coda | 6'16 |
5. | Interlude | 0'47 |
6. | Cérémonie | 2'35 |
7. | Commentaires | 2'34 |
8. | "Il y a temps de silence ici" | 1'52 |
9. | "Tout à l'heure tu disais" | 1'26 |
10. | Scène I | 13'05 |
11. | "Alors tu mourrais de froid" | 0'44 |
12. | Finale | 3'26 |
13. | Scène II | 7'13 |
14. | Postlude II | 3'30 |