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Field composed his Nocturnes between 1812 and 1835, at a time when, as Guy Sacre writes in "La Musique de piano", ‘the piano, building on its technical progress, took upon itself to rival the voice, in “cantability”, in expressivity, in emotion’, inventing
‘a genre in which to pour out the heart, in the manner of a vocal romance’.
For his first recording Florent Albrecht has chosen the de Meglio piano Field could have played during his stay in Naples in 1834, revealing an unpublished nocturne.
HORTUS 197
T.T.
65'14
1 CD
DDD
© 2021
15,00 €
| Detailed program | ||
| HORTUS 197 | CD DDD ℗ Hortus 2021 | T.T. 65'14 | ||
| John Field (1782-1837) | ||
| 1. | Nocturne XII en Sol Majeur op. H 58 | 2'16 |
| 2. | Nocturne X en Mi Mineur H 46 | 3'24 |
| 3. | Nocturne XIV en Ut Majeur op. H 60 | 7'02 |
| 4. | Nocturne I en Mi Bémol Majeur H 24 | 3'41 |
| 5. | Nocturne IV en La Majeur H 36 | 5'44 |
| 6. | Nocturne II en Do Mineur H 25 | 3'41 |
| 7. | Nocturne IX en Mi Bémol Majeur H 30 | 4'28 |
| 8. | Nocturne XI en Si Bémol Majeur H 56 | 4'53 |
| 9. | Nocturne III en La Bémol Majeur H 26 | 3'34 |
| 10. | Nocturne V en Si Bémol Majeur H 37 | 2'47 |
| 11. | Nocturne XIII en Ré Mineur H 59 | 3'13 |
| 12. | Nocturne VI en Fa Majeur H 40 | 4'47 |
| 13. | Nocturne XV en Do Majeur H 61 | 3'32 |
| 14. | Nocturne VIII en La Majeur H 14 | 3'59 |
| 15. | Nocturne XVI en Fa Majeur H 62 | 4'56 |
| 16. | Nocturne Op. Posth. en Si Bémol Majeur | 3'17 |
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