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Schubert : De l'unité au fragment
Starting with perhaps Schubert’s ‘densest’, most monumental piano piece, the Wanderer-Fantasie, the listener will pass little by little to compositions which are more fragmented (and more tortured): the three marvelous Klavierstücke D 946, collected and so named by Brahms, probably originally representing Schubert’s third cycle of improvisations; Sonata D 840, with only two movements, remaining unfinished; and finally Sonata D 571, of which there remain only the exposition and a fragment of development of the first movement. It is as though Schubert gradually closed in on himself, passing from a unit to fragments.
Matteo Fossi, piano
HORTUS 141
T.T.
76'14
1 CD
DDD
© 2016
15,00 €
By the same composer
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HORTUS 160 |
| Rendez-vous au Gau... | |
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| Detailed program | ||
| HORTUS 141 | CD DDD ℗ Hortus 2016 | T.T. 76'14 | ||
| Franz Schubert (1797-1828) | ||
| 1. | Wanderer-Fantasie en Do Majeur, D. 760 op. 15 | 21'49 |
| 3 Klavierstücke, D. 946 | ||
| 2. | Allegro assai | 29'36 |
| 3. | Allegretto | 11'17 |
| 4. | Allegro | 4'55 |
| Sonate en Do Majeur, D. 840 | ||
| Reliquie | ||
| 5. | Moderato | 14'06 |
| 6. | Andante | 8'04 |
| 7. | Sonate en Fa Dièse Mineur, D. 571 | 6'10 |