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John Lugge : The Forbidden Fruit
‘I fear, and by conference do suspect
that he hath eaten a little bit,
or mumbled a piece of this forbidden
fruit, yet I verily believe that he hath
spit it all out again.’ So wrote William
Cotton, Bishop of Exeter in 1618
in a statement clearing his esteemed
Cathedral Organist, John Lugge,
of the heresy of Roman Catholicism.
Lugge practised two genres in his
organ writing: plainchant-based
pieces and free pieces, which probably
represent the earliest examples
of the ‘double voluntary’.
Grand Orgue de l'Eglise Saint-Michel de Bolbec
| Detailed program | ||
| HORTUS 273 | CD DDD ℗ Hortus 2025 | T.T. 45'59 | ||
| John Lugge (1580-1647) | ||
| Gloria tibi trinitas | ||
| 1. | I | 2'23 |
| 2. | II | 1'57 |
| 3. | III | 2'30 |
| 4. | IV | 1'38 |
| 5. | V | 1'39 |
| 6. | VI | 2'50 |
| 7. | Christe qui lux | 2'51 |
| 8. | Miserere | 3'00 |
| 9. | In nomine | 7'36 |
| 10. | Ut re mi fa sol la | 6'10 |
| 11. | Voluntarie [I] | 5'13 |
| 12. | Voluntarie [II] | 3'58 |
| 13. | Voluntarie [III] | 4'05 |