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In this frenzy of invention, of at times
surprising harmonies, in this limitless
creativity that impresses upon the music
lover’s ear a ‘new’ Mozart, it would be
mistaken to consider these fantasies
as a mere laboratory of musical form:
before him, Carl Philipp Emanuel Bach had
encountered in the fantasy the form most
conducive to expressing his unbounded
creativity. Thus it is thanks to this form as well that Mozart is not just a revolutionary but that he takes his rightful place within a history of music, with his models, his inspirations: if the subject in question be one of model, the place to look is doubtless in the direction of Carl Philipp.
HORTUS 585
T.T.
78'24
1 CD
DDD
© 2024
19,00 €
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| Detailed program | ||
| HORTUS 585 | CD DDD ℗ Hortus 2024 | T.T. 78'24 | ||
| Wolfgang-Amadeus MOZART (1756-1791) | ||
| 1. | Fantasie en Fa Mineur | 9'33 |
| (reconstruite par Florent Albrecht) | ||
| 2. | Modulierendes Präludium en Ut Majeur Kv 624 | 5'14 |
| 3. | Präludium (Fantasie) und Fugue en Ut Majeur Kv 394 | 10'07 |
| 4. | Fantaisie en Ut Mineur Kv 475 | 14'52 |
| 5. | Capriccio Kv 395 | 5'16 |
| 6. | Fantasie en Ut Mineur Kv 396 | 13'12 |
| Transcription : Maximilian Stadler | ||
| 7. | Fantasie en Fa Mineur Kv 608 | 13'29 |
| Transcription : Muzio Clementi | ||
| 8. | Fantaisie en Ré Mineur Kv 397 | 6'34 |