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Are the Three Chorales César Franck’s testament? Nothing is less certain, as death seems to have brutally interrupted a feverish, all-out creative thrust, to which the operas Hulda and Ghiselle bear witness, as does the project for a cello sonata as well. In these Chorales he pursues with an eternal youth his lasting endeavour of creating a drama out of form alone, turning the supposedly decorative instrument into the interpreter of the most heartrending romanticism.
Yoann Tardivel, orgue
HORTUS 147
T.T.
57'56
1 CD
DDD
© 2017
15,00 €
By the same composer
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HORTUS 241 |
| La maîtrise ... | |
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HORTUS 155 |
| Fantaisies du Seco... | |
| Lefébure-We... |
Orgue Merklin de l'Cathédrale de Moulins
| Detailed program | ||
| HORTUS 147 | CD DDD ℗ Hortus 2017 | T.T. 57'56 | ||
| César FRANCK (1822-1890) | ||
| 1. | Choral en Mi majeur | 16'37 |
| 2. | Cortège des fiancés | 2'56 |
| extrait de l'opéra "Hulda" | ||
| Transcription : Charles Tournemire | ||
| 3. | Chanson de l’Hermine | 2'41 |
| extrait de l'opéra "Hulda" | ||
| Transcription : Charles Tournemire | ||
| 4. | Prélude de l’acte II | 5'24 |
| extrait de l'opéra "Ghiselle" | ||
| Transcription : Charles Tournemire | ||
| 5. | Choral en Si mineur | 15'39 |
| 6. | Choral en La mineur | 14'34 |