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Camille Saint-Saëns : intégrale des pièces d'orgue et motets, volume 2
Camille Saint-Saëns’s Motets for solo voices are little known yet quite endearing pieces. Composed for performance at La Madeleine Church in Paris (a place where, in Saint-Saëns’s own words, he ‘spent the best moments of his life’) they can be seen as a manifesto for his conception of church music, served by wonderfully crafted vocal writing: simple yet lyrical, sober but not dry, subtle and well-balanced.
La Lyre séraphique :
Sylvie de May, soprano
Françoise Masset, soprano
Catherine Ravenne, alto
Vincent Genvrin, orgue
HORTUS 014
T.T.
59'30
1 CD
DDD
© 1999
15,00 €
By the same composer
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HORTUS 199 |
| Printemps | |
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HORTUS 016 |
| Le patriarche de l... | |
| Camille Saint-Sa&e... |
Orgue Aristide Cavaillé-Coll de l'Eglise du Gésu de Toulouse
| Detailed program | ||
| HORTUS 014 | CD DDD ℗ Hortus 1999 | T.T. 59'30 | ||
| Camille Saint-Saëns | ||
| Rhapsodies sur des cantiques bretons op. 7 | ||
| 1. | Première rhapsodie | 6'19 |
| 2. | Ave Maria en La majeur | 2'23 |
| Rhapsodies sur des cantiques bretons op. 7 | ||
| 3. | Deuxième rhapsodie | 6'13 |
| 4. | Elévation ou Communion op. 13 | 6'20 |
| 5. | Ave verum en Si mineur, pour deux voies égales et orgue | 2'25 |
| 6. | Offertoire-Sarabande | 3'02 |
| 7. | Inviolata en Ré majeur | 4'43 |
| Messe op. 4 | ||
| 8. | O salutaris | 2'05 |
| 9. | Interlude fugué | 3'17 |
| 10. | Tantum ergo | 3'48 |
| 11. | Praeludium en ut mineur | 3'20 |
| 12. | Sub tuum praesidium | 3'22 |
| Rhapsodies sur des cantiques bretons op. 7 | ||
| 13. | Troisième rhapsodie | 8'27 |
| 14. | Deus Abraham en Fa majeur | 3'39 |