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Jacques Lemmens, organiste moderne
February 1851: Under the auspices of Aristide Cavaillé-Coll a young Belgian organist stuns the elite of the Parisian musical world performing Bach’s masterpieces and his own virtuosic compositions. Soon his French pupils Guilmant and Widor take up the banner of the new modernity. A decade hence, Lemmens’ Three Sonatas, majestically blending polyphony and lyricism, confirm the blossoming of a new French Romantic organ school.
Kurt Lueders, orgue
Grand orgue Aristide Cavaillé-Coll de l'Eglise Saint-Maurice-de-Bécon de Courbevoie
| Detailed program | ||
| HORTUS 402 | CD DDD ℗ AOCCSMB-Hortus 2016 | T.T. 77'04 | ||
| Eoline, disque 2 | ||
| Jacques Lemmens (1823-1881) | ||
| 1. | Prélude à 5 parties | 3'41 |
| 2. | Grand Fantasia in E minor (The Storm) | 15'41 |
| Sonate pontificale | ||
| 3. | Allegro moderato | 9'15 |
| 4. | Adagio | 4'17 |
| 5. | Marche pontificale | 6'24 |
| 6. | Fuga. Fanfare | 3'26 |
| Sonate O Filii | ||
| 7. | Prélude | 7'59 |
| 8. | Cantabile | 4'41 |
| 9. | Fuga | 4'07 |
| Sonate pascale | ||
| 10. | Allegro | 6'53 |
| 11. | Adoration | 2'42 |
| 12. | Final. Alleluia | 7'50 |