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Les Musiciens et la Grande Guerre vol. 11

Chant de guerre

Schmitt - Jongen - Casella - Karg-Elert - Kunc 

In a Europe at war, and with a surprising variety of expression, composers called upon the harmonium as a solo instrument or by including it in a small ensemble. Schmitt revisits patriotic song, Kunc and Jongen sacred music and hymns to the dead. Karg-Elert explores spheres
knowingly removed from the conflict, whereas Casella, illustrating images from silent cinema, proposes his war impressions.

Ensemble Double Expression :
Sonia Sempéré, soprano
Jérôme Granjon, piano
Érard n°80089, modèle n°3 « grand modèle de concert » (1899)

Sandrine Chatron, harpe
Érard n°3828 (1912)

Emmanuel Pélaprat, harmonium et direction
Mustel n°898-694, modèle n°3 (1898)

HORTUS 711
T.T. 62'06
1 CD
DDD
© 2015

15,00 €

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Detailed program
HORTUS 711 | CD DDD ℗ Hortus 2015 | T.T. 62'06
  Florent Schmitt (1870-1958)
1. Chant de guerre op. 63 4'57
  Joseph Jongen (1873-1953)
  In memoriam op. 63  
  Quatre improvisations
2. Requiem æternam 4'00
3. Pie Jesu 4'27
4. Quid sum misericordia 4'53
5. Recordare Jesu pie 3'03
  Alfredo Casella (1883-1947)
  Pagine di guerra op. 25  
  4 film musicali
  Transcription : Emmanuel Pélaprat
6. Nel Belgio : sfilata di artiglieria pes ante tedesca 1'52
7. In Francia : davanti alle rovine dell a cattedrale di Reims 2'14
8. In Russia : carica di cavalleria co sacca 1'17
9. In Alsazia : croci di legno 2'32
  Siegfried Karg-Elert (1877-1933)
  Innere Stimmen op. 58  
  Acht Charakterstücke
10. Vorspruch Basso ostinato s opra B.A.C.H. 3'22
11. Ruhe, meine Seele 3'37
12. Kindermund 2'51
13. Vergnügter Tag 1'41
14. Im schwäbischen Ton 1'49
15. Scherzino 1'40
16. Deingedenken 2'09
17. Um Mitternacht 6'18
  Aymé Kunc (1877-1958)
18. Pensée musicale 9'14
  Transcription : Emmanuel Pélaprat

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