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Couverture

La Saveur des dissonances

 

Diapason, 5 diapasons

‘As a painter uses shadows in order to enhance daylight and brightness, so do we mix dissonances and consonances […] to enhance the mellowness of the latter’, writes Jehan Titelouze in the foreword to his 1623 book of hymn settings Hymnes de l’Eglise pour toucher sur l’orgue (Ballard).

Invention and variety characterize the art of dissonance and ornamentation in French Baroque music. Each composer has his or her vocabulary of ornament, which gives the music its particular, unmistakable flavor. And it is amazing to see how such variety announces the music of our time.

The art of dissonance and ornamentation is the common denominator of this programme. As it maps out French influence on 17th and 18th century European music, it also highlights stylistic or thematic affinities between compositions of manifold origins... with sometimes unexpected results!

Jean-Pierre Rolland, orgue

HORTUS 072
T.T. 69'03
1 CD
DDD
© 2009

15,00 €

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Detailed program
HORTUS 072 | CD DDD ℗ Hortus 2009 | T.T. 69'03
  Giovanni de Macque (1550-1614)
1. Capriccio sopra ré fa mi sol 5'24
  Antonio de Cabezon (1510-1566)
2. Diferencias sobre el Canto del Cavallero 2'59
  François Roberday (1624-1680)
3. Fugue deuxième, suivie d'un caprice sur le même sujet 4'31
  Jean-Pierre Rolland (1972)
  Trois études pour l'orgue de Saint-Jean-de-Losne  
4. Diffraction 3'05
  Louis Couperin
5. Prélude 4'23
  "Il faut jouer cecy d'un mouvement fort lent"
6. Fantaisie 2'52
  récit de basse, Meudon, le 8 octobre 1656
7. Fugue 1'39
  Meudon, le 18 juillet 1656
  Jean-Pierre Rolland (1972)
  Trois études pour l'orgue de Saint-Jean-de-Losne  
8. Polychronisme 2'47
  Juan Cabanilles (1664-1712)
9. Tiento por A la mi re 7'02
  Louis MARCHAND (1669-1732)
10. Récit du premier livre 4'13
  Henry Purcell (1659-1695)
11. Voluntary in D minor for double organ 6'09
  Jean-Pierre Rolland (1972)
  Trois études pour l'orgue de Saint-Jean-de-Losne  
12. Fulminescences 6'34
  Johann-Sebastian Bach (1685-1750)
13. Fughetta super Wir glauben all' an einen Gott BWV 681 1'30
  Johann Jakob Froberger
14. Capriccio VIII 4'39
  Georg Muffat (1653-1704)
15. Toccata Septima 11'08

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